Subject Outline


          This SUBJECT OUTLINE acts as a table of contents with links to every text page. The TUTORIAL MENU in the upper-left frame is a selection of pages suggesting a sequential reading. Pages marked with a glassy blue bulletglassy blue bullet in this SUBJECT OUTLINE are also listed in the TUTORIAL MENU. Not every page will predefine the terms that it uses, but a glossary has been provided with text-links to it.
          LATEST ADDITION Between autumn of 1993 and November of 1997 I worked on approximation methods for finding the partial solutions of polynomials with real number roots. This self- educative search was inspired by a hieroglyphic in a tomb of one of the Ramses' Pharaohs depicting both the Pythagorean theorem and the golden ratio. What followed was an almost constantly evocative continuum of eurekas! as I combed the literature available at the UCLA research libraries and fabulously rich in esoteric literature library of Cal. State U. at Northridge and dreamed up thought experiments in DOS Q-Basic. [Remember that earthquake back in January of '94?, well I worked on the computers at CSUN's library up to Christmas eve '93 and then avoided work both before the quake when the library reopened after the holidays as well as after the quake while languishing in depression for awhile; I also used to sleep between classes in my car on the bottom floor of that parking structure that collapsed 'cause it was cool there in the summertime!, the upper floors would wobble every time a car would pass behind me! oh well...] I also wrote texts devoted to my conclusions and results. I had been hoping to write a book on the subject, but every time I made an attempt, I would rewrite some of the previous chapter attempts as well as write some new ones. So I gave up thinking a solid book would ever materialize. Then along came greater public awareness of the internet and its potential to create an electronic book with updateable text seemed such a cool idea. But it seems I got lazy and never bothered to attempt much other than a scanty series of overview and conclusion pages. But languish no more. Hereglassy blue bullet is a file linking all of those text files and Q-Basic program files. Peruse at your leisure....


Math Section

0. Introductionglassy blue bullet
1. Logic
   A. Logic Flow
   B. Logic Base
   C. Prime Factorial of Bases
   D. Base Two Logic
        I. The Logical Structuring of Mathematical Functions
        II. Dividing by Infinity and Zero
           a. The Theory:
              i. Version 1
              ii. Version 2
           b. A Case Example
   E. Base Six Logic
	I. Imaginary Numbers
2. Polynomials in One and Multiple Unknowns
   A. Formation and Identity
   B. Complete Solutions
   C. Averaging Methods
	I. Plotting the Error of a Function: "Best Fit"
   D. Partial (Approximate) Solutions
	I. Isolation of Terms
           a. Continued Coefficients
		i. Substitution
		ii. Looping Formula
		iii. Serial Progresion
	   b. Continued Radicals
	   c. Continued Fractions
		i. Ratios
		   1) Incremental Progression
		   2) Euclidean Algorithms
			A) Quadratic Derivation
			B) Golden Extention
			C) Cubic
			   I) Transformative
				a) Long Version
				b) Short Version
			D) Quartic (4th degree) and Beyond
		ii. Numeric
		   1) Square Roots of Numbers
		   2) Transcendental Numbers, one example
			A) Approximation of:  pi/4
			   I) The Source
				a) Gauss's Version
				b) Forcing a Coefficient
				   to Unity when it is
				   Associated with the x1 Term
			   II) Accuracy Testing
	   d. Mixed Continued Radicals with Fractions:
	      Approximating the Roots of Polynomials
		i. The Partial Solution of: a × (xn - b = 0),
		   for "n" as any Positive Integer, Using Only
		   a Credit Card Calculator: Seeking the Root
		   of a Positive Number
		ii. Newton's Averaging of Partial Solutions
	II. Coefficient Methods
	   a. x0: Pseudo-Geometric Progression
	   b. xdegree: Summation of Powers of Quadratic Roots
		i. Fibonacci
		ii. Lucas
3. Aesthetic Mathematics (some of it anyway)
   A. The Golden Class
	I. Regular Polygons
	   a. Chords
	   b. Isosceles Triangles
	   c. Roots of Golden Polynomials
	   d. Odd-Sided Polygons: Beauty
		i. Golden Beautiful Polynomials are,
		   for the most part, Irreducible
	   e. Even-Sided Polygons: Power, (Semi-Golden)
		i. The Reduction Of Golden Powerful
		   Polynomials
		ii. The Sacred Class
		   1) Ratio Hybrids of Golden Power Roots
		   2) Geometry
			A) Two-Dimensional
			   I) Special Case: The Octagon
			   II) All Others...
			B) Three-Dimensional
			   I) Platonic Solids
		   3) A Parallel Demonstration (possible
		      indication for a proof) for the
		      Degree-Polynomial Reducibility Formula
		      (Author Unknown, though famous---need
		      help with identifying him):
			The Restricted Case of:
			   For all N as non-negative Integers
			   [0, 1, 2, 3, ..., ]: 2(2^N-1) =
			   the degree that is required of any
			   polynomial for that polynomial to
			   be reducible (completely
			   factorable) when all of its roots
			   are irrationally real and all of
			   its coefficients are present
			   (non-zero).
			Examples:
			a) 1st Degree = 2(2^0-1) = 1,
			   i.e.: x1 - 1
			b) 2nd Degree = 2(2^1-1) = 2,
			   i.e.: x2 ± x - 1
			c) 8th Degree = 2(2^2-1) = 8,
			   i.e.: x8 ± x7 - 7x6 minus/plus 6x5 - 15x4
			         ± 10x3 - 10x2 minus/plus 4x - 1
			d) 128th Degree = 2(2^3-1) = 128,
			   i.e.: x128 ± , ..., ± x - 1
			e) 32,768th Degree = 2(2^4-1) = 32768,
			   i.e.: x32768 ± , ..., ± x - 1
			f) Etc...
	II. Models
	   a. Algebraic
		i. Light
		   1) Reflectingglassy blue bullet
		   2) Reflecting/Refracting
		ii. Male Honeybee Genealogy
		iii. Fibonacci's Rabbits
	   b. Non-Euclidean Geometry
	III. The Special Traits of Golden Roots and Triangles
	   a. Unit Modularity
		i. Ratio Approximations of Golden Roots:
		   The Extended Quadratic (Golden) Euclidean
		   Algorithm
		ii. Triangles Within Triangles
	   b. Bisectors Forming Squares of Roots
   B. Music and its Application to Art Theory in General
	I. Chromatic Scales
	   a. Equal Temperment
		i. Ratio Approximation
	   b. Pure Temperment
		i. Pythagorean
		ii. Ptolemaic (Just Intonation; Present-day
		    Method)
		iii. Polynometric
	II. Diatonic/Adiatonic Scales
	   a. Major/Minor Keys
   C. Subliminal Art Forms


Anthropology Section

Theism Polysian style


TO BE CONTINUED..............